GOODNIGHT!!

My time in room 170 has offered me so many things: friendship, community, expression, and entertainment. Its given me a venue to produce art outside the guidelines and restrictions of an assigned project. It has left me with bits and pieces of sincere wisdom from a man that has experienced so many places and human beings.  

But the most important idea that this class has taught me is that to fully understand myself, I must  understand from where I came and where I’ve been. Places shape the inhabitants within them whether it's their attitude, personality, or creativity. Every song and every era of music we’ve covered has taken us to a new destination where the society, geography, and way of life influences the artists and the music they create. Like the delta is to Muddy Waters or Oceanside is to Tony, I can fully understand how my home (Topanga) and experiences within it has molded me into the individual you all have encountered this semester.

As I am shaped by the places I've been I know I will forever be affected by my time in room 170, sitting around the campfire, singing songs of places far away, yet feeling close to home...

The Whale and The Ship

Before listening to Greenland Whale Fishery I understood the relationship between the whaler and the whale to appear obvious: The whaler is hunting the whale for its oil and thusly for a pay day. But these songs reveal a multi faceted relationship that labels/objectifies the whale as an enemy, a prize, and prey. Its as if these men are blinded by a somewhat savage desire that overcomes all monetary needs and satisfies a unquenchable primal instinct. These men are willing to risk life and limb to capture and conquer an animal of such size and power and while blinded by these desires label the whale an enemy when really it is the victim.  

The songs also speak to a brotherhood and an almost overwhelming feeling of optimism among the sailors that can only be achieved when stranded on a ship for an indeterminate amount of time. But this deeply complex and troubled relationship with the whale overshadows all else.

I wanted to reconcile this relationship and try to equate and draw similarities between the whale and the whaler (specifically the whaler’s vessel). Cutting a section through the whale and the ship brings to light the complexities hidden underneath their surfaces and places the whale and the vessel on an even playing field. Both are large entities comprised of smaller moving parts and this similarity is the first step towards bridging the gap between these adversaries.

City Blues:Chicago

The migration of artists like Muddy Waters and Howlin Wolf to the City of Chicago brought about a new style of blues framed by large skyscrapers, an evolving industry, and a longing for home. I wanted to represent these artist and their ambitions to “make it big” in the context of a growing city, rising with skyscrapers and flooding with activity.

The rectangular cuts represent the Chicago cityscape which frame rambunctiously painted colors and strokes that speak to the hustle and bustle of the Chicago music scene.

Country Blues: The Delta

Skip James, Son House and Muddy Waters encapsulate what I think of country blues. These artist’s lyrics are laden with emotional turmoil, struggle, and baggage that is tied to the hardships of the Delta. These artists forever carry this emotional baggage weighing heavily on their souls and with a guitar and a voice can cathartically reconcile their inner demons.